D
Dailies: The
first positive prints made by the laboratory from the negative
photographed on the previous day. It also now refers to video
which is transferred from that original negative. (Laboratory)
Dance Floor: A
floor built of 3/4 inch plywood which is usually covered with
masonite to provide a smooth surface for free-form dollying.
(Grip)
DAT (Digital Audio Tape): Two-channel
digital audio has become increasingly common as a professional
master reference and for use in field recording. (Sound)
DAW (Digital Audio Workstation): A
computer-based recording and editing machine used for manipulating
sounds. (Sound)
Day Out of Days: A
form designating the workdays for various cast or crewmembers
of a given production.
Deal Memo: A form
which lists the pertinent details of salary, guaranteed conditions,
and other essentials of a work agreement negotiated between
a member of the cast or crew and a production company.
Decoder: The device
which reads the enclosed signal or pulse and turns it into
some form of usable information.
Deep Focus: A style
of cinematography and staging that uses relatively wide angle
lenses and small lens apertures by maintaining objects in
the extreme background and foreground simultaneously focused.
(Cinematography)
Dead spot: A place
in which a sound waves are canceled by reflections arriving
out of phase with the wanted signal thus creating an area
of silence or poor audibility. (Acoustics)
Dead Sync: An editorial
term meaning that sound and picture elements are perfectly
aligned. (Film Editing)
Degausser: A device
used to erase recordings on magnetic tapes and films or to
demagnetize magnetic recording heads.
Density: A factor
which indicates the light-stopping power of a photographic
image.
Depth of Field: The
amount of space within lens view which will maintain acceptable
focus at given settings (i.e. camera speed, film speed, lens
aperture). (Cinematography)
Developing: The
chemical process which converts a photographic exposure into
a visible image. (Laboratory)
Deuce: A 2K fresnel
lighting unit. (Lighting)
DGA: Director's
Guild of America. A union which represents directors, assistant
directors, production managers, and various video personnel.
Dialogue track: A
sound track which carries lip sync speech. (Sound)
Differential Rewind: A
device designed to permit simultaneous winding of film on
more than one reel at a time even though the diameters of
the rolls are unequal. (Film Editing)
Digital: A reference
to a system whereby a continuously variable analog signal
is reduced and encoded into discrete binary bits that establish
a mathematical model of an original signal or other information.
Digital Recording: A
method of recording in which samples of the original analog
signal are encoded on tape or disk as binary information for
storage or processing. The signal can then be copied repeatedly
with no degradation. (Sound)
Dimmer: A device
for varying power to the lights. (Lighting)
Dingle: Branches
which are placed in front of a light as a cookie would to
cut the light and provide a shadow pattern. (Grip/Lighting)
Dissolve: A transition
between two scenes where the first merges imperceptibly into
the second. (Film/Video)
Distortion: A modification
of the original signal appearing in the output of audio equipment
which had not been present in the input. (Audio)
Directional Characteristic: The
variation in response or perception for different angles of
sound incidence. (Acoustics)
Dolby Digital: This
is a 5.1 channel digital film format that if optically recorded
on to a film release print in the blocks of space located
between the film's sprocket holes. (Sound)
Dolby SR: Spectral
Recording. An encoding/decoding noise reduction system developed
by Dolby Laboratories and used increasingly in film sound.
Dolly Shot: Any
shot made from a moving dolly. These may also be called tracking
or traveling shots. (Production)
Doorway Dolly: A
plywood dolly with four soft tires which is narrow enough
to fit through a doorway. It is used to carry a camera on
a tripod or for transporting other heavy items. (Grip)
Dots: Small nets
and flags used to control light. (Grip/Lighting)
Double-System Sound: Sound
and picture on separate transports. This refers to the normal
methodology of recording the picture on a camera while recording
sound of a separate magnetic tape recorder. (Film)
Drift: Flutter
which occurs at random rates. (Acoustics)
Drop-In: The process
of inserting recorded audio by playing up to a chosen point
and switching from playback to record mode. (Video/Audio)
Drop Frame: American
system of time code generation that adjusts the generated
data every minute to compensate for the spread of the NTSC
television system running at 29.97 frames per second.
Drop Out: Loss
of a portion of a signal, usually due to a loss of a tape's
oxide coating or due to dirt or grease covering a portion
of a tape.
DTS: This is a
film sound system which utilizes a CD-ROM disc which is sychronized
to film by means of timecode which is optically encoded into
the exhibition film print. (Sound)
Dub: To make a
taped copy of any progam source record, CD, tape. Also, the
copy itself. Sometimes used to refer to the ADR process. (Audio/Video)
Dub Stage: Term
generally used in California but to refer to the room where
the final audio mix is made for a program or film. It might
also be known as a mix stage.
Dubber: A high
quality sound reproducer which is mixed with outputs from
other dubbers that are generally loaded with sprocketed magnetic
film. (Post Production)
Dubbing: An actor's
voice synchronization with lip movements which are not the
originally recorded sound. This is used to replace unusable
dialogue or recordings, and also used to prepare foreign films
for new markets. (Post Production)
Dupe: A copy of
a negative. Short for duplicate negative.
Dutch Angle: This
is the process where a camera is angled so that the horizontal
frame line is not parallel to the horizon. (Production)
Duvetyne: A heavy
black cloth, treated with fire proofing material, which is
used for blacking out windows, making teasers, hiding cables,
and hundreds of other uses. (Grip)
Dynamic Distortion: Alteration
of volume range of a sound when it is transmitted. (Acoustics)
Dynamic Range: The
difference in decibels between the loudest and quietest portions
of audio. (Sound)
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