C
C-47: Ordinary
wooden clothespins which are used to secure gels to barndoors.
They are also known as a #1 wood clamp. (Grip/Lighting)
C Stand: A general
purpose grip stand. (Grip/Lighting)
California Scrim Set:
A scrim set with two doubles. (Lighting/Grip)
Call Sheet: A form
which refers to all of the scenes to be filmed and all of
the personnel and equipment required for shooting on a particular
day. (Production)
Camera Angle: The
view point chosen from which to photograph a subject. (Cinematography)
Camera Blocking: The
process of notating the changing position of the camera, lens
size, and focus during a particular scene. (Production)
Camera Log: A record
sheet giving details of the scenes or shots photographed on
a particular roll of negative.
Camera Wedges: Small
wooden wedges, usually 4 inches long by 1/2 wide at the thickest
end. (Camera)
Cam-Lok: A feeder
cable connector which is similar to a Tweco, but with a more
positive locking mechanism which is easier to disconnect.
(Grip/Lighting)
Candela: A unit
of light intensity, a standard candle. (Lighting)
Canted Frame: Often
described as a 'Dutch Angle' or 'Dutching'. This is a device
or process whereby the camera is angled so that the horizontal
frame line is not parallel to the horizon. (Production)
Capacitance: An
electrical component's ability to store electrical charges.
(Post Production)
CC Filters: Color
compensating filters made in precise density values of the
primary and secondary colors. (Cinematography)
Clipping: The phenomenon
where an input signal exceeds the capability of electronic
or digital equipment to reproduce the signal. This results
in an audible distortion (analog) or an incomprehensible noise
(digital). (Sound)
CD (Compact Disc): A
digitally encoded disc capable of containing more than one
hour of music at a sampling frequency of 44.1 khz. The data
is read by a laser beam. (Sound)
Celo: A type of
cookie which is made from wire mesh coated with plastic. (Grip/Lighting)
Center Track: A
standard position for the placement of the audio signal on
magnetic film. The placement is in a narrow band centered
between the two edges of the film. (Sound)
Century Stand (C-Stand): A
multipurpose grip stand. (Grip/Lighting)
Chain Vise Grip: A
vise grip with a chain that is used for its clamping capability.
(Grip)
Changeover Cue: A
mark at the end of a release print reel to indicate the moment
at which to switch over to the next reel on the second projector.
(Film)
Checkerboard Cutting: A
technique of splicing A/B rolls in order to eliminate the
image of the film splice from the duplicates or to allow for
rapid readjustments of optical printer settings from shot
to shot. (Film Editing)
Cinch Marks: These
are marks which may result if the center of a roll of film
is rigidly held while the outside end is moved. (Film Editing)
Cinemascope: A
trade name for a system of anamorphic widescreen projection.(Cinematography)
Cinex Strip: A
short test print in which each frame has been printed at a
different exposure level. (Film/Laboratory)
Click Track: A
prerecorded track of electronic metronomic clicks used to
ensure proper timing of music to be recorded. Essential in
music scoring sessions. (Music)
Coded Edge Numbers: A
system of marking films with a series of sequential numbers
for the purpose of maintaining an established synchronous
relationship. (Film Editing)
Combo Box: A six
pocket stage box that can be converted from three-phase four-wire
to single phase three-wire operation. (Lighting)
Combo Stand: A
heavy duty 2K stand without wheels. It is called a combo because
it can be used for both reflectors and lights. (Grip/Lighting)
Compander: Refers
to a device that compresses an input signal and expands the
output signal in order to reduce noise. (Sound)
Completion Bond: An
insurance guarantee that principal photography on a given
film will be completed. It indemnifies a production against
the unforeseen costs of any type, whether or not they result
from problems which are covered by other types of insurance.
Composite Print: A
motion picture print with both picture and sound on the same
strip of film. (Laboratory)
Compression: The
reduction of a span of amplitudes done for the purpose of
limiting the reproduction of those amplitudes. (Post Production)
Condenser Microphone: The
simplest type of microphone in which the capacitance (electrical
charge) is varied by sound, causing movement in one plate
(diaphragm) in relation to a fixed backplate. (Sound)
Contingency: A
designated amount of a budget which is added in anticipation
of potential cost overruns.
Continuous Printing: A
method of printing in which both the original and the raw
stock move continuously past the point of exposure. (Laboratory)
Control Track: A
recorded track used to adjust or manipulate a recording or
playback device. Generally, these are used to maintain consistent
playback speed of video and/or sound recorders consistent
with the recorded speed. (Post Production)
Cookie: A perforated
material which is used to break up light or create a shadow
pattern. Also known as a cucoloris. (Grip/Lighting)
Core: A plastic
cylinder on which film is wound for transport or storage.
Coupler: A chemical
incorporated into the emulsion of color film stocks which
produces a dye image associated with the developed silver
image.
Counter: A device
for measuring lengths of film by counting the number of frames.
Coverage: An indeterminate
number of more detailed shots which are intended to be intercut
with a master shot or scene. (Production)
Cover Set: A location
which is kept in reserve to serve as an alternate shooting
site in case the chosen shooting site is unusable. It is most
commonly used in the context of shooting planned for an out
of doors location. (Production)
CP Filters: Color
printing filters made in precise density values for the colors;
yellow, cyan, and magenta. (Cinematography)
CRI: Color Reversal
Intermediate. This is a duplicate color negative which is
made by the reversal process. (Laboratory)
Cribbing: Short
pieces of lumber which are used for various grip purposes.
(Grip/Lighting)
Crossfade: The
gradual mix of sound sources accomplished by the simultaneous
manipulation of two or more mix console faders. (Post Production)
Crossmodulation Tests: Tests
which are used to determine the correct negative and print
densities for a variable area optical sound track. (Sound)
Crossover: The
frequency at which a signal is split in order to feed separate
parts of a loudspeaker system. (Sound)
Crosstalk: In stereo,
this is the breakthrough between channels measured as separation
(in decibels) between the wanted sounds of the desired channel
and the unwanted sounds from the second channel. (Sound)
Cucoloris: A perforate
material used to break up light or create a shadow pattern.
Also known as a cookie. (Grip/Lighting)
Cueing: A term
with a broad range of meanings depending on the particular
context. For Voice-Over Narration or Dialogue Replacement:
The marking of the cue point in a way which will permit a
signal to be given to the 'talent' to begin each element of
work at the appropriate time. In General: Any system used
by a second person to signal 'talent' that recording should
begin.
Cue Patch: A piece
of self adhesive magnetic or metallic material placed on the
edge of film as a means of actuating a printer light change
or an automatic stop on a projector. (Film Editing)
Cup Blocks: Wooden
blocks with a dish or indentation in the center which are
used to keep the wheels of light stands from moving. (Grip/Lighting)
Cutaway: A single
shot inserted into a sequence of shots that momentarily interrupts
the flow of action, usually introducing a pertinent detail.
(Production/Editing)
Cutting: The selection
and assembly of the various shots or sequences for a reel
of film.
Cyan: A blue-green
color which is the complementary color to red.
Cyc Lights: Row
lights for evenly illuminating a cyclorama or other background.
(Lighting)
Cyclorama: Permanent
background built in a studio which is nearly always coved
or curved at the floor line to create a shadowless, unending
backdrop. (Grip/Lighting)
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